Saturday, April 4, 2009

[Single Review] Polysics Shout Aloud/Beat Flash


Polysics has always been all over the place musically. However, there latest release, We Ate the Show, had a more Rock and Roll vibe and less of the spastic energy of previous releases. Polysics takes a step forward by taking a step backwards in there latest release, the double A-side single Shout Aloud/Beat Flash.

The first track, Shout Aloud, starts of with a quick drum fill and a vocoder bit before launching head on to the trademark Hiro vocals, followed shortly by Kayo's course. Also added to the mix is more Vocoder and what could possibly be the first Polysics sing along! The song is solid, but it is not the true gem on the single.

If you have seen the Shout Aloud video, you have no doubt wondered if the piece at the end of the video is the beginning of Beat Flash. Well, it is, and the song is as quirky as they get. The girls of Polysics team up for various sections of the vocals, and this track really feels like it was modeled after the track Peach Pie on the Beach. Once again, the band adds something untested into the song in the form of the backing vocals being pretty much screamed at one point. Weather this passes the test of time is to be seen, however it's my opinion that the band really returned to there older style on this track.

The last track, United, also has an earlier vibe to the track. The focus is no longer on filling every bit of space on the track with noises. Rather, the band lets the composition speak for itself, something they haven't done since there Polysics or Die era. Also the track features a quick drum solo from Yano, which really shows how he is truly the perfect fit for the evolved sound of Polysics.

In closing, fans of the older materiel might want to take note of the new direction the band is taking. Although it is not as predominate on the title track, the following tracks on the single really show a mixture of old and new styles. This is sure to cause excitement in the hearts of fans as they wait for the next output of the Kings of Japanese New Wave.

[Single Review] Megaromania - Apocalypse Single


Megaromania has been one of the few new Visual Kei bands to stick to the old tired and true style, yet continuously release quality materiel. Recently they released the Apocalypse single, which came in two types, each with a unique B-Side. How does the materiel match up to there older releases?

the title track kicks off the single at a blistering pace. Upon first listen, you can't help but think of the late 90s Visual Kei scene. But the band also has the edge in the aspect that they know what works and what doesn't. They don't go overboard with the synths or the over complicated guitar rhythms. The title track is five minutes long, but it seems to be over before you even knew it started, which is the true sign of a good music piece.

KALEIDOSCOPE starts off on a similar foot, and is the shortest track on the single, coming in at four minutes and twenty one seconds. The song has a very chuggy feel to it, with the guitars stopping for only a second, before chugging right back into the flow, but not before going into the melodic course.

The B-side on the B Type is Brilliance butterfly, a ballad if there ever was one. The vocals really take center stage in the song. As a matter of fact, the first minute and a half is strictly vocals. Once the music kicks in, the melody flows along with the vocals, creating a peaceful atmosphere, which really sticks out for a band which is, for the most part an aggressive band.

Chances are, you know if you'll like this already if you've herd any of there previous works in Megaromania or even Metis Gretel to an extent. Being Undercore's new poster boys can draw both positive and negative attention from listeners. But for those who long for the days where Visual Kei was a unique form of music may find solace in what Megaromania is doing. Although they may not be a completely unique band, they write solid songs and should find a spot in Visual Kei fan's CD racks.

Monday, February 9, 2009

[Tokusatsu News] Various Fansubbing News


Just a heads up for all Tokusatsu fans, the fansub group Grown Ups in Spandex are begining the task of fansubbing the second sentai show, J.A.K.Q. Right now they have the Goranger vs J.A.K.Q movie, which has the two sentai teams joining forces to take on there common foe. Subtitled episodes will be posted on the website soon.
Grown Ups in Spandex website

In Kamen Rider fansubbing news, a new group Hi no Tori Fansubs are working on one of the most unique Kamen Rider series in the history of the hero. And I'm not talking about that lame Decades BS. The group is 9 episodes into the series, and only has 15 to go, but from the looks of things the groups really small and can use a hand. So if anyone reading this knows Japanese and is willing to help with the script writing or anything else, I'd join the forums and let them know. Besides, who wouldn't want there name in the credits for subbing a 70s Kamen rider Show?!
Hi no Tori Fansubs

Thursday, January 29, 2009

[anime review] Tatsunoko Production's Tekkaman 1975


Anime Review: Tekkaman
***1/2 out of *****

Shortly before the release of Tatsunoko vs Capcom, I came across a box set of one of the characters at a comic book shop in Salem MA. Picking it up, all it took was to see the lead hero, Tekkaman and his giant robot, Pegas. Shelling out the money for it, I made it home in record time and popped the DVD in. But before I get into the review, I'll tell a little bit about the anime company that made the series.

Tatunoko Productions was founded in 1962 by Anime producer Tatsuko Yoshida and his brothers Kenji and Toyoharu. Maybe it's just me, but I think that would pretty much be the best family business ever. Anyways, Tatsunoko's first major hit was Mach Go Go Go, known as Speed Racer in America. This started a long chain of animation films being brought over from Japan to America with new voice overs and edits. Other series Tatusnoko licenced to America were Gatchaman (known as Battle of the Planets and G-Force), Time Bokan (the OVA was released on DVD in America) and Tekkaman Blade (known as Teknoman, no idea how they came up with this moronic name). They also provided the animation for Neon Genesis, Robotech as well as Samuri Pizza Cats...I'm not making that up.

Tatsunoko's biggest hits were, in my opinion, that of the Sci-Fi genera. They pretty much invented every cliché in Anime. The teams of 5, the incredibly long moves, the constantly repeated transformation scenes, and the yelling of the name of every super move. Pretty much there would be a lot less awesome anime nowadays if it weren't for Tatsunoko.

Anyways, back to Tekkaman. The series focuses on the planet Earth, which is heavily polluted and rapidly dying. Knowing the Earth only has 10 years left before all resources are exhausted, Scientists create the "Green Earth Project", a plan which will send out ships to find a new planet that Humans can inhabit (and quickly bring said planet to a rapid decline which will only end in its destruction, but that's only my opinion). One of the first ships sent out, the Space Angel, is destroyed by a group of aliens known as Waldaster. Earth is crushed, and it seems all hope is lost.

However, Dr. Amachi creates a giant robot, named Pegas. Inside Pegas is the "Tekset System", which allows humans to sync up with a certain wavelength and become the super human Tekkaman. However, the Tekset system does not work for every human, and if the wavelengths do not sync up, the human will die. A human known as Joji Minami, whose father was killed on the Space Angel, pleads with Dr. Amachi to let him become Tekkaman, but Amachi says that it is too risky. However, this doesn't stop Joji from trying, and luckily for Joji and Tatsunoko, his wavelengths match and he transforms into Tekkaman.

Now onto the Anime, which is a good piece, but there are several key elements missing. First of all, the ending is super lame. Granted it leaves you with hope that things will work out for the heroes. But there are too many questions left unanswered. I will not go into said questions because I don't want to ruin it for anyone. But it's most likely safe to say that this Anime has Japan's first Cliff hanger ending, which has become commonplace in Japanese animation nowadays.

Second of all, the story is non-exsistant as far as a continuing story line goes. Which works to it's advantage in one way, because the series is only 26 episodes long you don't have to worry about spending close to a grand to see the entire series. However, it lacks the basic connectivity to the characters. The plot that Joji's father was killed by Waldaster is quickly forgotten maybe 8 episodes in. The support characters have a somewhat running plot line. Andro and Mutan are from another planet which Waldaster took over, and all they want is to put a stop to Waldaster and go home. This creates conflicting emotions in Andro, but they are not consistent and only appear once in every 7 episodes at best.

The animation does have it's plus sides, however. The action is pretty intense and it's really cool to watch Tekkaman plow through wave after wave of space craft. Using his space lance, he pretty much cuts though anything in his path. This creates some comical moments, for example during a later episode Tekkaman cuts the bottom of an opponents space craft, pops up to say hello and jumps out before the ship explodes.

Another thing that gives the series a new feeling is that no two episodes are the same. One episode you'll have a space battle, the next you'll have a giant robot try and invade earth, and the next you will have a rescue attempt on one of Waldaster's ships. This really give the series a feeling of the unknown, and It gives the short lived series the ability to compete with longer, well established series such as the Mazinger series.

In closing, the series does have its weak points, but that is most likely because it is one of Tatsunoko's shortest Action anime (tied with Hurricane Polimar at 26 episodes each). There has been a re-telling of the original series, released as Tekkaman Blade in Japan and America (You can get it unedited on DVD), but the US TV version was a bastardization by everyone's favorite company Sabian, and released as Teknoman in 1993. You can get Teknoman on DVD at Best buy for $13. For the entire series. If this was a few years ago, I would have already picked it up, but nowadays I'm not stupid and know a $13 product would probably give you $13 of enjoyment. I'd rather spend my money at an Arcade.

For more information on Tatusnoko's products, check out the english website: http://www.tatsunoko.co.jp/english/index.html

Saturday, January 24, 2009

[Album review] Blood - Lost Sky


Blood - Lost Sky
*** out of *****
Over the past 4 years, Blood has really become a staple in the US Visual scene. The best thing about Blood is they are constantly re-working there sound and image. I was lucky enough to see them when they were promoting the Vengeance for Blood concept in Boston. Then, maybe a year later, they returned with there Symphony of Chaos/Les Fleurs Du Mall concepts, which were really opposites. The Les Fleurs Du Mall concept was as Visual as it gets, However, with the Symphony of Chaos concept, they decided to ditch the Visual Kei genera completely and go down more of a Industrial Gothic road. There reasoning was that Visual Kei had become a generic genera in Japan, and nothing new and exciting was coming out of it. And honestly, I don't blame them. With the exception of a few bands, nothing great has come out of the Visual scene for awhile now (chariots, anyone?).

So, after releasing the 2CD The Reaper Behind Me, Blood fans were shocked when the band announced that they will be disbanding following the forthcoming US tour. And with The Reaper Behind Me already being 9 months old, the band had to scramble a recording together in order to have something to support, because you know, Japanese bands can't play shows just for the sake of playing shows. And so, Blood released there Swan Song, titled Lost Sky. The CD has 16 tracks, so you're thinking thats an amazing way for them to bow out, right? Well, not quite.

The album does in fact have 16 tracks, but only 6 of them are new. And out of the 6, one is an outro track. It seems Kiwamu has a case of Kasakiitis, releasing an album with 5 new tracks and a bunch of other artists input to fill out the rest of the CD. Unless you're a huge fan of the idea of remixes, tracks 7-16 will only be filler. The main course is in the first 5 tracks.

Blood incorporates the Gothic industrial feel into there already established feel rather seamlessly. However, the mix can be rather bassy at times, and Kiwamu's guitar work, which is usually crisp and clear, is rather muddy at times. Fu~Ki's vocals are reminiscent of 1st period Blood. Slightly less operatic and more flowing, Fu~Ki is the highlight of Blood's recorded work (I am unsure if Ryo had anything to do with the recording of the album. I know he's still preforming live with the band, but I have not seen or herd anything of him working with the band in the studio).

In closing, Blood ends there 7 years of activity in a few weeks. It's a sad day for all of there fans, which have grown in numbers since they first debuted on the international scene. However, I'm sad to say that there final recording isn't there best. Its in no way shape or form there worst, but every time they create a new concept it always takes them a few releases to really solidify what they want to do. The Vengeance for Blood concept really didn't tie everything together until they released the Limited Edition CD with all three mini albums on one disk. The Les Fleurs Du Mall concept didn't take really hit home until the Les Fleurs Du Mall album. All of these albums really have the listener time to absorb all of the sounds and styles Blood has created in each concept. For me, six songs is hardly enough to end a saga. Don't get me wrong, the six songs released on this album are really good, but I would have loved if they got raid of some of the remixes of the title track ( 7 of the 10 remixes are of the same song!) and added 2 or 3 new tracks. But the new tracks they do present are solid works, but a long time fan such as myself really wants more